Art within architecture.
Selected works in hand-painted murals, sculpted reliefs and site-specific decorative art.
Illusion. Texture. Ornament. Story.
Every commission begins with the character of the room — its light, rhythm and material palette. Artwork is developed in dialogue with clients and designers, then translated by hand across walls, panels and architectural surfaces.
Nothing is printed, tiled or applied from a roll. Each piece is resolved on site, adjusted to the proportion, texture and viewing angle of the room it belongs to.
Motifs scaled to mouldings, recesses, shutters and furniture.
Paint, plaster and low-relief sculpting, worked directly on the surface.
Colour and depth corrected under the room's own light before sign-off.
“Light is the final material.”
Low-relief surfaces shift through the day, allowing shadow to reveal the work gradually.
From panoramic landscape murals to hand-sculpted relief and gilded ornament — each discipline is offered as a bespoke commission, developed for your site.

Perspective, foliage and layered colour extend the architecture beyond its physical edge. A corridor gains distance; a blank end-wall becomes a window onto somewhere else.
Best for: living rooms, stairwell walls, headboard walls, restaurant feature walls.

Painted branches trace the panel rhythm while birds and blossoms bring warmth to a restrained interior. Fine stems and deliberate breathing room turn an overlooked corner into a gentle focal point.
Best for: bedrooms, dressing rooms, entrance foyers, powder rooms.

A circular composition anchors the fluted portal: twin peacocks, sunflowers and dense foliage balanced as a single emblem. Doors, arches and thresholds are treated as the room's jewellery.
Best for: pooja room doors, main entrances, arched openings, partitions.

Low-relief surfaces are built up by hand and shift through the day, allowing shadow to reveal the work gradually. Seven horses, rock forms, figurative panels — modelled directly onto the wall.
Best for: living-room feature walls, lobbies, reception backdrops, stair landings.

Metallic leaf and blossom drawn onto arched recesses and alcoves. Restrained in colour, generous in shimmer — the motif reads differently at every hour.
Best for: niches, mandir alcoves, bar backs, console backdrops.

Motifs are scaled to mouldings, recesses, shutters and furniture so the artwork feels native to its setting. Carved panels and painted screens can be made in studio and installed complete.
Best for: room dividers, wardrobe shutters, headboards, feature joinery.
Figurative and devotional work, composed to hold both narrative detail and architectural presence. Traditional iconography rendered at a scale the room can carry.
Best for: pooja rooms, family shrines, heritage interiors, hospitality lobbies.

Framed and stretched works painted in studio, for clients who want the hand of the artist without a permanent commitment to the wall. Sized to the space it will hang in.
Best for: collectors, gifting, apartments, rented interiors.
Details from completed commissions — the line work, depth and colour that photographs rarely do justice to.









From line to surface.
Each piece is resolved on site — adjusted to the proportion, texture and viewing angle of the room.
The artist who draws the concept is the artist on the scaffold. Nothing is handed off to a production crew.
No catalogue repeats. Every composition is drawn against your elevations, mouldings and furniture lines.
Flat mural, low-relief or both in one wall — the technique follows the idea, not the other way round.
Work is masked, sheeted and cleared daily, so an occupied home stays livable through the commission.
Standard execution timelines are typically 7–10 working days, depending on scope — agreed before we start.
Concept sketch, colour direction and a sample panel are approved before the first mark goes on your wall.
Bespoke finishes are developed to suit the client and designer's vision — through a sequence that keeps cost, colour and calendar visible at every stage.
We talk through the room, the light, the palette and what the wall needs to do.
Measurements, surface condition and viewing angles recorded — in person or from your drawings.
A drawn composition laid over your elevation, with colour direction, for approval.
A single transparent figure and a dated working window. No stage billing surprises.
The wall is made good, primed and masked — the part that decides how the finish ages.
Painted or sculpted on site, corrected under the room's own light, sealed and handed over.
Archi-Texture works directly with homeowners, and alongside architects, interior designers and contractors as the surface-art partner on a project.
Living rooms, bedrooms, pooja rooms, stairwells, entrance foyers and painted joinery for private homes and apartments.
Feature walls, reception backdrops and narrative murals for restaurants, cafés, boutique hotels and banquet spaces.
Lobbies, reception areas, clinics and offices where a hand-made surface does more than branded graphics can.
Drawn to your elevations, coordinated with your contractor, delivered inside your programme.
The studio is based in Hyderabad, Telangana, where canvases, panels and sample boards are made. Mural and relief commissions are executed on site — across the city, and travelling for projects elsewhere in India.
Sample panels, colour drawdowns and relief test-pieces can be brought to your site or reviewed at the studio by appointment.
Arrange a visit →Commissions outside Hyderabad are quoted with travel and stay included, so the number you approve is the number you pay.
Discuss a project →
The complete selected-works portfolio, laid out for screen and for phone. Share it with your client or your design team.
Hand-painted murals, low-relief sculpted walls, painted and carved panels, gilded niche ornament, painted joinery, and studio canvases. If it is a surface inside a building, it can usually be treated.
Yes — every commission is bespoke. Bring a reference, a memory, a colour, or nothing at all; the concept sketch stage is where it gets resolved, and it is approved by you before any work starts on the wall.
Standard execution timelines are typically 7–10 working days, depending on scope. Large or multi-wall projects and heavy relief work are scheduled individually, with the working window fixed in the quote.
By area, technique and detail density — a fine-line botanical and a full sculpted relief are very different pieces of work. You receive one transparent figure covering materials, labour and sealing before the commission is confirmed.
The surface must be sound and dry. Making good, priming and masking are handled as part of the commission — it is the stage that decides how well the finish ages, so it is never skipped.
In most cases, yes. The work zone is sheeted and masked and cleared at the end of each day. Relief work generates more dust than painting, and that is flagged at the quote stage.
Yes. Out-of-city commissions are quoted with travel and stay included. Studio-made panels and canvases can also be crated and shipped anywhere in India.
Painted murals are sealed and can be dusted with a soft dry cloth. Sculpted relief needs only a soft brush. Care notes for your specific finish are handed over at completion.
For residential, hospitality and commercial collaborations.
Standard execution timelines are typically 7–10 working days, depending on scope.
Artist & Founder